{"id":1114,"date":"2013-01-07T09:13:03","date_gmt":"2013-01-07T09:13:03","guid":{"rendered":"http:\/\/infed.org\/mobi\/?p=1114"},"modified":"2025-08-20T15:21:10","modified_gmt":"2025-08-20T14:21:10","slug":"nawal-el-saadawi-a-creative-and-dissident-life","status":"publish","type":"page","link":"https:\/\/infed.org\/dir\/welcome\/nawal-el-saadawi-a-creative-and-dissident-life\/","title":{"rendered":"Nawal El Saadawi &#8211; a creative and dissident life"},"content":{"rendered":"<h2>Nawal El Saadawi (1931-2021) &#8211; a creative and dissident life. Brian Belton and Clare Dowding explore Nawal El Saadawi\u2019s argument that dissidence is a path to creativity \u2013 through which inequalities can be challenged and social and political change can occur.<\/h2>\n<p><!--StyleSheet Link--><strong>contents<\/strong>:\u00a0 <a href=\"#life\">life<\/a> \u00b7\u00a0<a href=\"#selfgovernment\">self-government<\/a> \u00b7\u00a0<a href=\"#colonialismandslavery\">colonialism and slavery<\/a> \u00b7\u00a0<a href=\"#religion\">religion<\/a> \u00b7\u00a0<a href=\"#words\">words<\/a> \u00b7\u00a0<a href=\"#life\">life<\/a> \u00b7\u00a0<a href=\"#conclusion\">conclusion<\/a> \u00b7\u00a0<a href=\"#bibliography\">bibliography<\/a> \u00b7\u00a0<a href=\"#websites\">web sites<\/a> \u00b7\u00a0<a href=\"#authors\">authors<\/a>\u00a0 <!--StyleSheet Link--><\/p>\n<p>The title of this piece, <i>Dissidence and Creativity, <\/i> relates to El Saadawi\u2019s argument that dissidence is a clear path to creativity. Indeed, for her, conformity too often involves the stifling of the creative powers that she contests are part of our make-up as human beings. For her, relating to the Arabic interpretation of the word, dissidence means struggle, that is the, connection with the effort to create, to bring something new or novel into the world. For Nawal, one cannot be dissident without being creative. She asks:<\/p>\n<blockquote><p>Can I have the passion and knowledge required to change the powerful oppressive system of family and government without being creative? (1997; 158)<a name=\"life\"><\/a><\/p><\/blockquote>\n<h4>Life<\/h4>\n<p>Born into a well-educated family in 1931 in the small village of Kafr Tahal, Egypt and sometimes described as \u2018the Simone de Beauvoir of the Arab world,\u2019 writer, psychiatrist, self-described feminist and militant Nawal El Saadawi has had a major influence on the lives of women of colour all over the world. She has witnessed humiliating and unfair practices, both in her profession as a doctor and later as a writer. This has led her to speak out in support of political and sexual rights for women and constantly reiterate women\u2019s power in resistance. As a result, she has been imprisoned (this is detailed in her book <i>My Travels Around the World) <\/i>and arrested on more than one occasion &#8211; as such she is a person that is set in the process of history, making it and challenging its legacy. I think it would be fair to say that she has, as much as any writer can, changed the world, through the liberation of the mind and expression of millions of women&#8230; and men, particularly in those parts of the world called \u2018the third\u2019, the \u2018non-industrialised\u2019 or \u2018the south\u2019.<\/p>\n<p>Refusing to accept the limitations imposed by both religious and colonial oppression on most women of rural origin, she qualified as a doctor in 1955 and rose to become Egypt\u2019s Director of Public Health. Since she began to write over 30 years ago, her books have concentrated on women. In 1972, her first work of non-fiction, <i>Women and Sex<\/i>, evoked the antagonism of highly placed political and theological authorities, and the Ministry of Health was pressurized into dismissing her. Under similar pressures she lost her post as Chief Editor of a health journal and as Assistant General Secretary in the Medical Association in Egypt. From 1973 to 1976 she worked in researching women and neurosis in the Ain Shams University\u2019s Faculty of Medicine; and from 1979 to 1980 she was the United Nations Advisor for the Women\u2019s Programme in Africa (ECA) and Middle East (ECWA).<\/p>\n<p>Later in 1980, as a culmination of the long war she had fought for Egyptian women\u2019s social and intellectual freedom, an activity that had closed all avenues of official jobs to her, she was imprisoned under the Sadat regime. She has since founded the Arab Women\u2019s Solidarity Association and devoted her time to being a writer, journalist and worldwide speaker on women\u2019s issues. Author of many books, both fiction and non-fiction, which challenge our thinking about the politics of sex, Third World development, the Arab world and writing itself, she has been a constant thorn in the side of the class and patriarchal systems. Despite her imprisonment and subsequent release following Sadat\u2019s assassination, she has continued undeterred to fight for equality \u2013 of gender, nation and race \u2013 in spite of the banning of her books and the rise of a variety of fundamentalists all over the world.<\/p>\n<p>Her writing presents the full range of her extraordinary work. She explores a host of topics from women\u2019s oppression at the hands of recent interpretations of Islam to the role of women in African literature, from sexual politics of development initiatives to tourism in a \u2018post-colonial\u2019 age. She looks at the nature of cultural identity to the subversive potential of creativity, from the fight against female genital mutilation to problems facing the internationalization of the women\u2019s movement. Throughout her writing, she sheds new light on the power of women in resistance \u2013 against poverty, racism, fundamentalism, and inequality of all kinds. Nawal El Saadawi has received three literary awards.<\/p>\n<p>El Saadawi\u2019s response to the Egyptian Human Rights Organization\u2019s estimate that at least 90 per cent of girls in Egyptian villages had been victims of female genital \u2018circumcision\u2019 was to state that this is part of the punishment for being born a woman, This conviction led to her dismissal from her position as director of Education in Egypt\u2019s Ministry of Health, and as editor of <i>Health <\/i>magazine. She was also prevented from practising as a doctor. Much of her writing, which includes works of fiction, has been published in Lebanon as most of her work has been banned in Egypt. She recently returned to Egypt following a five-year exile.<\/p>\n<p>She has written prolifically, including <i>The Nawal El Saadawi Reader, <\/i>within which she explores a range of topics including women\u2019s oppression under Islam, women in African literature, the sexual politics of development initiatives, the nature of cultural identity and problems facing the internationalization of the women\u2019s movement.<\/p>\n<p>Nawal El Saadawi died March 21, 2021.<\/p>\n<h4>Self-government<\/h4>\n<p>What you are about to read is something of this woman\u2019s dissidence, but also the potential for this as a creative form of activity. Nawal does not believe we are really free. She has said that she \u2018<i>discovered that democracy is an illusion<\/i>\u2019 in the West, and even more an illusion in the non-industrialized world. But she does want people to be free, and to be \u2018<i>independent and to govern themselves<\/i>\u2019<\/p>\n<p>She has said that she hates all governments, as there is little to choose between them, whether in the West, the East, the North, or the South. For El Saadawi there is something wrong with the conception of <i>governing others. <\/i>She writes, \u2018<i>I govern myself I don&#8217;t need somebody to govern me, either in the state or at home&#8217;<\/i><\/p>\n<p>El Saadawi has a vision of society within which people can govern themselves. For her, people are <i>capable, <\/i>and are <i>able <\/i>to govern themselves, but they are prevented from that <i>all the time. <\/i>This idea looks to the potential that people have rather than their deficit. As such it is anti-professional, as it is the role of the professional to meet the needs of others. It is the role of the professional to address people\u2019s \u2018deficit\u2019 or lack. To this extent, it can be seen that for Nawal El Saadawi professional activity would be seen as essentially colonizing in character.<\/p>\n<p>Nawal believes that society is abandoning traditional forms of government, very <i>slowly. <\/i>She argues that non-governmental groups and societies are growing. She points out that in non-industrialized regions these groups are semi-governmental, the governments of these areas have attempted to dominate the non-governmental and the civil groups, but they are, in her words, <i> coming up. <\/i>For El Saadawi, \u2018<i>There is a process that\u2019s going on to unveil the minds of people<\/i>\u2019<i>. <\/i>For her, governments \u2018<i>work in a very subtle way to control the brains of people, and to brainwash through the media<\/i>\u2019<\/p>\n<p>But Nawal questions this very concept, how can a government maintain power? She says, \u2018<i>people in the government are few. How can the few dominate the majority?<\/i><\/p>\n<p>What El Saadawi is pointing to here is that there is potential for us to express ourselves and critique the nature of the state or society, but this it cannot be done through the agencies of the state or mediated by state-sponsored employees whose interests lie in the propagation or support of state ideals and values. How the few dominate the majority is by the majority being ready to be guided or educated by the minority. For Saadawi this situation is reminiscent of the colonial situation.<\/p>\n<p>For example, one often comes across the idea in our professional field that we should help others <i>\u2018celebrate difference\u2019. <\/i>In the colonial situation, the colonial government needs to make sure that people do not unite against them, As such, it is imperative to make sure that groups are played off one against the other in competition for what resources are available for \u2018the natives\u2019. In order to do this, <i>difference<\/i> has to be constantly reiterated and demarcation lines of difference need to be made clear.<\/p>\n<p>However, as is evident from one of the central principles of the National Blood Transfusion Service, the kind of semi-governmental organization of the type Nawal writes about, our aim should be to \u2018provide services on the basis of common human needs\u2019 \u2026 \u2018there must be no allocation of resources which could create a sense of separateness between people\u2019. For the National Blood Transfusion Service, it is the \u2018explicit or implicit institutionalization of separateness, whether categorized in terms of income, class, race, colour or religion, rather than the recognition of the similarities between people and their needs which causes much of the world\u2019s suffering\u2019.<a name=\"colonialismandslavery\"><\/a><\/p>\n<h4>Colonialism and slavery<\/h4>\n<p>This problem of the many controlling the few, is, for El Saadawi, historically connected with slavery. For her slavery meant that a few people, maybe one lord, governed hundreds or thousands of people. This history has left a kind of psychic heritage that is re-energized in education and the media. Domination is not essentially economic, or military, it\u2019s a subtle form of mental domination. As such, the central question for Nawal is; \u2018How people can get rid of this invasion to their brains by the media and by education in universities?\u2019<a name=\"politics\"><\/a><\/p>\n<p>\u2018I have to know politics in order to challenge politics\u2019<\/p>\n<p>There seems to be some contradiction here. As is evident from her life story, Nawal El Saadawi herself moved from village life to university and then into a profession as a doctor. The very process, that she claims to be so damaging, has helped her to see the world as she does; it has enabled her to express her ideas, in more than language. Nawal recognizes this ambiguity but states that \u2018<i>I had to study medicine to get rid of it. I have to know politics in order to challenge politics\u2019.<\/i><\/p>\n<p>So, for Nawal, we start by knowing. She had to go to school and to university. When she graduated as a medical doctor and as a physician, it was at that point that she started to challenge the medical profession and to see that \u2018<i>the profession (like all professions) is commercial. <\/i>For El Saadawi, \u2018<i>Professions exploit people\u2019, <\/i>but, she says, \u2018<i>I could not have known that if I hadn\u2018t studied medicine\u2019.<\/i><\/p>\n<p>Do not mistake this statement for the rather trite idea that one is best placed within a profession in order to change it. The clear message here is that professions change those who move into them. When you <i>know <\/i>about a profession, for Nawal El Saadawi, it is at this point you can change it, but it cannot be changed from within. As Nawal\u2019s life illustrates, the \u2018dissenting voice\u2019 speaking out <i>within<\/i> a profession, is soon rejected <i>by<\/i> that profession. She, herself, is an example of this.<\/p>\n<p>According to El Saadawi, \u2018<i>Ordinary people do not encroach on others, its people who have power who encroach on the others\u2019. <\/i>The powerful encroach on others through their social agents, the army, the family, the police, the professions, medical, social and legal. El Saadawi experienced such encroachments in a very physical way. She was circumcised as a child. As a physician, she condemns this practice as well as the practice of male circumcision and, what she calls, \u2018<i>psychological circumcision\u2019.<\/i><\/p>\n<p>She argues that there is a lot of silence about these abuses. But, for her, the covert <i>psychological <\/i>interventions are just as damaging as more overt physical abuses. She argues that \u2018<i>the physical is visible, and sometimes the visible is less dangerous than the invisible oppression\u2019. <\/i>The psychological assaults of the educational and welfare professional, for Saadawi, are forms of <i>invisible oppression <\/i>or <i>psychological circumcision.<\/i><\/p>\n<p>According to Nawal, it is in the process of living together that we mature. We are not children. We will mature. A level of government action, that is mediated by its professional agents, that is intrusive, prevents this maturation. People do not, by nature, need Community Educators, Judges or Lawyers, or even Doctors.<\/p>\n<h4>Religion<\/h4>\n<p>El Saadawi has said that in her ideal world, there would be no <i>established <\/i>religion and no books. She is very much against the idea of a \u2018fixed text\u2019. She sees Holy books as political books. The Old Testament, the New Testament or the Qu\u2019ran, are, for her, political books. They speak about war, invasion of other people\u2019s countries, of inheritance, of money, this, as a focus, for Nawal, has little to do with justice, morality, or spirituality.<\/p>\n<p>However, she argues that all texts that become \u2018holy\u2019, be they by Freire, Freud or Marx, are limiting. The words espoused and sanctified in contemporary texts, words like \u2018unconscious\u2019, \u2018socialism\u2019, or \u2018post-modernism\u2019, \u2018dialogue\u2019, \u2018autonomy\u2019 or \u2018reflection\u2019, should be most rigorously critiqued and held up to the scrutiny of their usefulness in everyday life. In Nawal\u2019s utopia there are no Holy books or holy words. She wants ideas like justice, freedom and love \u2014 that have meaning and associated action in everyday life for the mass of people and not just a chosen professional or religious elite \u2014 to play a much greater part in our thinking and action. She believes that we worship the text, whether divine or human. But this enslaves us when we seek to \u2018do\u2019 the words \u2014 in effect we are just following instructions, as in a rite.<a name=\"words\"><\/a><\/p>\n<h4>Words<\/h4>\n<p>In her writing, Nawal asks us to look again at words, concepts and expressions like \u2018democracy\u2019, \u2018family-planning\u2019, \u2018globalization\u2019, \u2018post-modernism\u2019, \u2018education\u2019 and \u2018human rights\u2019 and the invention of the idea of a \u2018self. For her they have been used to conceal modern forms of colonization. She says,<\/p>\n<blockquote><p>I think the conception of justice and freedom and love became complex and ambiguous and so complicated because we live in a very hypocritical society that tries to twist language and the language has double meaning. Peace means war, democracy means oppression. Language should be clear, so we understand each other. No monopoly, no playing no games, no political games, no linguistic games, because I am really fed up with the linguistic games of the so-called \u2018post-modern \u2018era.\u2018 Which itself is part of the linguist game, the very name is part of the linguistic games \u2026We find ourselves lost in an avalanche of words which appear very dissident, and which multiply and reproduce themselves endlessly&#8230;. We drown in these words; we are suffocated by them. It is the zero-sum game of words in which you lose your power to understand.<\/p><\/blockquote>\n<p>This process of developing \u2018professional words\u2019 creates a reliance on academics and professionals to interpret the world, those with a direct stake in, often, oppressive systems. Understanding is mediated through them, a group of people with little experience of poverty or hard laborious work \u2014 they do not know what it means to work hard on machines. This process masks the character of reality that can only be realized through the experience of people in the process of loving and living.<\/p>\n<p>Hence El Saadawi exhorts us to be critical of ideas such as \u2018the self-generated\u2019 as it has been within the type of commercial\/educational complex she has referred to. For her, the notion of \u2018self\u2019 separates people up into an often artificial individuality, replacing the broad range of \u2018real\u2019 human relationships based on interdependence and mutuality with notions of personal independence and autonomy. Within this dialogue, for it is not critical, as in discourse, human dependence, one on another, becomes a sort of dirty word.<\/p>\n<p>Once you get into this, many taken for granted concepts or seemingly benign polices can be seen to be no more than the wrapping on an effort to maintain power structures that are &#8211; although less formal, more covert, than they were maybe a hundred years ago &#8211; clear descendants of systems based on slavery and blatant colonialism.<\/p>\n<p>One example might be the current campaign to \u2018drop the dept\u2019. The idea here is that the mass of \u2018ordinary\u2019 people in the industrialized world will pressurize the \u2018evil bankers\u2019 to cancel dept in the non-industrialized world. This campaign is supported by Bill Clinton, Tony Blair, the Church of England and Chelsea supporter and stand-up comedian David Baddiel.<\/p>\n<p>Just say that this campaign is successful (which it will undoubtedly be). The major banks and financial organizations, to which most of the money is owed, will not pass the loss onto shareholders. This would result in shareholders withdrawing their capital, placing it elsewhere and the eventual demise of these organizations \u2014 it would, in short, be financial suicide. The losses will be passed on, via interest rates and so on. This will make it harder for employers to invest to create employment or maintain existing jobs, particularly those involving unskilled labour. Housing will become more expensive as will any type of borrowing. Food, clothing anything manufactured, will become relatively more expensive. So, in the short term, those who will pay the most will be the poorest in industrialized societies.<\/p>\n<p>However, this is not the end of the story. The same financial institutions will not be looking to borrow any more money to what will be the \u2018bad debtor\u2019 nations, no more than they would to individuals who have a record of not paying debts. Even if they did, the interest rates would be even more crippling than they are at present. This being the case, non-industrialized nations, if they are to continue to build their infrastructures, will be obliged to borrow directly from the governments currently supporting \u2018drop the debt\u2019. This will give these governments direct control over the national policies of non-industrialized states. As might be becoming clear, the result of this would be economic and political colonialism, a covert, less formal incarnation of former empires.<\/p>\n<p>As such, for El Saadawi, we need to place a great deal more reliance on our own experience in interaction with the experience of others. This being the case, books should be secondary. She says, \u2018<i>We need to use our senses, images, feelings, music, <\/i>&#8211; <i>we learn from music and dancing. We have also to use our bodies.<\/i><\/p>\n<p>She is not thinking of organized events, a practice she loathes. She has called such situations a form of madness, heightened in competition. This, for her, is a surrogate form of war, symbolized in all forms of competition, from the exam result to the football field, from the tests for five-year-olds to Railtrack\u2019s quest to win investors by minimalizing safety costs, and carries social and historical symbolism. She argues,<\/p>\n<blockquote><p>It is an artificial need; this artificial need was created by the class patriarchal system, the slave system. To convince us that war is inevitable. That it\u2018s hormonal, it\u2018s natural. No, I think war is unnatural and people can live without war, without this competition. So, all these needs are really created artificially by the system.<\/p><\/blockquote>\n<p>For Nawal, the style of playing is more important than say the number of goals scored. Teamwork and an atmosphere of friendship should be fostered. This requires our conception of success to change, but also the individual\/group relationship. This can only happen in a society that sees the achievement of justice and equality as the basic criteria of success.<a name=\"conclusion\"><\/a><\/p>\n<h4>Nawal the person &#8211; conclusion<\/h4>\n<p>This short piece can only give you a taste of Nawal\u2019s thinking and I hope it interests you enough to take a longer look at her work. I think you will find her to be a person of soul and deeply committed to humanity. She has been denigrated many times, but she is not a person to create enemy figures. She may stand out against particular views or policies but she does not see herself as being against individual human beings. She has said:<\/p>\n<blockquote><p>People can change, people make mistakes, people are sometimes evil, and they do evil things because they are pushed to that. I believe in the benign nature of human beings. I don \u2018t believe that people are inheriting this malignant, un-divine nature. I think we are born in a very benign good nature, a human nature, but we loose our humanity because of political systems.<\/p><\/blockquote>\n<p>According to Nawal, we are brought up to think that dreams are not part of our reality we despise our dreams. But she asks us to \u2018remember our dreams\u2019 they will give light to our life. She recalls,<\/p>\n<blockquote><p>When I was in prison I was living on my dreams. It gave me a lot of power. Prison taught me that freedom is very important, but it taught me also that I \u2018m ready to lose my freedom &#8230; for a different society. Because, I am not ready to live in a very unjust, oppressive society, and just be free like that. I felt the linkage between our freedom as individuals and the freedom of others. So, though I was in prison I was ready to continue in prison in a way it gave me a lot of insight that what I am doing is right, and I am not ready to sign something to the president so he will free me. No, I will never do that. I will continue to criticize&#8230; even if it keeps me in prison. Before I went to prison I had the illusion that prison is like death. But when you know prison, you lose your fear.<\/p><\/blockquote>\n<p>I will finish this piece by echoing the dedication Nawal El Saadawi makes at the start of her reader \u2026 \u2018<i>To the women and men who choose to pay the price and be free rather than continue to pay the price of slavery\u2019<\/i>.<a name=\"bibliography\"><\/a><\/p>\n<h4>Bibliography<\/h4>\n<p>El Saadawi, N (1972) <i>Women and Sex<\/i><\/p>\n<p>El Saadawi, N (1980) <i>The Hidden Face of Eve \u2013 Women in the Arab World <\/i>London, Zed Books Ltd<\/p>\n<p>El Saadawi, N (1983) <i>Women at Point Zero<\/i> London, Zed Books Ltd<\/p>\n<p>El Saadawi, N (1985) <i>God Dies by the Nile<\/i> London, Zed Books Ltd<\/p>\n<p>El Saadawi, N (1989) <i>The Circling Song<\/i> London, Zed Books Ltd<\/p>\n<p>El Saadawi, N (1991) <i>Searching<\/i> London, Zed Books Ltd<\/p>\n<p>El Saadawi, N (1997) <i>The Nawal El Saadawi Reader <\/i>London, Zed Books Ltd<\/p>\n<p><b>Biographical material:<\/b><\/p>\n<p>El Saadawi, N (1999) <i>A Daughter of Isis : The Autobiography of Nawal El Saadawi<\/i>, London: Zed Books. 320 pages.<a name=\"websites\"><\/a><\/p>\n<h4>Websites<\/h4>\n<p>There are not many useful sites dealing with Saadawi&#8217;s work. For brief introductions try:<\/p>\n<p><a href=\"http:\/\/www.webster.edu\/~woolflm\/saadawi.html\"><b>Nawal el Saadawi<\/b><\/a> by Jennifer McBride, and<\/p>\n<p><a href=\"http:\/\/www.cc.emory.edu\/ENGLISH\/Bahri\/Saadawi.html\"><b> www.cc.emory.edu\/ENGLISH\/Bahri\/Saadawi.html<\/b><\/a><a name=\"authors\"><\/a><\/p>\n<h4>Authors:<\/h4>\n<p><strong>Brian Belton<\/strong>: Brian is the director of the MA in Management Studies Programme at the YMCA George Williams College. He is also responsible for the Professional Studies and Community Studies elements of the Undergraduate Programme. Brian is the author of <i>Bubbles, Hammers and Dreams <\/i>(1997) a novel looking at the support of West Ham United throughout the club\u2019s history. He has also written two other book on West Ham United <i>The First and Last Englishmen<\/i> (1998) and <i>Days of Iron<\/i> (1999) oral histories of the club as related by former players. He is currently writing, <i>The Black Hammers,<\/i> this documents the history of West Ham\u2019s Black players, from their perspective. Brian, an English Gypsy, is involved in ongoing research into the British Traveller Community.<\/p>\n<p><strong>Clare Dowding<\/strong>: Clare is a freelance lecturer and writer, currently teaching part-time at the YMCA George Williams College and Havering College of Further and Higher Education. Clare is currently working on a number of oral history projects documenting the life-story of people now living in the East End of London.<\/p>\n<p><strong>Acknowledgement<\/strong>: Photograph of Nawal El Saadawi by Milma Kettunen, Global.finland.fi &#8211; flickr | ccbync4.<\/p>\n<p>Prepared by Brian Belton and Clare Dowding \u00a9 2000<\/p>\n<p>First published March 2000.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nawal El Saadawi (1931-2021) &#8211; a creative and dissident life. Brian Belton and Clare Dowding explore Nawal El Saadawi\u2019s argument that dissidence is a path to creativity \u2013 through which inequalities can be challenged and social and political change can occur. contents:\u00a0 life \u00b7\u00a0self-government \u00b7\u00a0colonialism and slavery \u00b7\u00a0religion \u00b7\u00a0words \u00b7\u00a0life \u00b7\u00a0conclusion \u00b7\u00a0bibliography \u00b7\u00a0web sites \u00b7\u00a0authors\u00a0 &#8230; <a title=\"Nawal El Saadawi &#8211; a creative and dissident life\" class=\"read-more\" href=\"https:\/\/infed.org\/dir\/welcome\/nawal-el-saadawi-a-creative-and-dissident-life\/\" aria-label=\"Read more about Nawal El Saadawi &#8211; a creative and dissident life\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":30641,"parent":0,"menu_order":341,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_lmt_disableupdate":"no","_lmt_disable":"","footnotes":"","_wp_rev_ctl_limit":""},"class_list":["post-1114","page","type-page","status-publish","has-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nawal El Saadawi - a creative and dissident life - infed.org<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/infed.org\/dir\/welcome\/nawal-el-saadawi-a-creative-and-dissident-life\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nawal El Saadawi - a creative and dissident life - infed.org\" \/>\n<meta property=\"og:description\" content=\"Nawal El Saadawi (1931-2021) &#8211; a creative and dissident life. Brian Belton and Clare Dowding explore Nawal El Saadawi\u2019s argument that dissidence is a path to creativity \u2013 through which inequalities can be challenged and social and political change can occur. contents:\u00a0 life \u00b7\u00a0self-government \u00b7\u00a0colonialism and slavery \u00b7\u00a0religion \u00b7\u00a0words \u00b7\u00a0life \u00b7\u00a0conclusion \u00b7\u00a0bibliography \u00b7\u00a0web sites \u00b7\u00a0authors\u00a0 ... 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